All,
Here's a link to an enjoyable article from The New Yorker on audiophilia, our never-ending quest, as the author puts it. Devialet is mentioned but the author only heard the Phantom. He also covers MQA, vinyl and puts a bit of audio history in there. Fun read.
Cheers, Flashman
![[Image: Denby-I-Tried-to-Quit-I-Tried-to-Give-Up...philia.jpg]](https://media.newyorker.com/photos/5a57af301d66e909c7401d75/master/w_767,c_limit/Denby-I-Tried-to-Quit-I-Tried-to-Give-Up-Audiophilia.jpg)
Here's a link to an enjoyable article from The New Yorker on audiophilia, our never-ending quest, as the author puts it. Devialet is mentioned but the author only heard the Phantom. He also covers MQA, vinyl and puts a bit of audio history in there. Fun read.
Cheers, Flashman
Devialet Expert 220 Pro Kinki EX-M7 power amp tethered to a fiber-fed Lumin X1 streamer via Grimm XLRs, Vivid B1 Decade speakers in Rosso Barchetta red (only 200 produced in a limited edition), Roon Nucleus with a Samsung 860 EVO 2TB SSD, etherREGEN switch fed by a Sonore opticalModule (and Sonore-supplied transceivers and 1M optical cable) with a SOtM dCBL-Cat7 cable to my Nucleus and a DH Labs Reunion Cat8 to my Lumin T2 streamer, Keces P8 linear power supply feeding a (to come) NUC and EtherREGEN switch with an external AfterDark OCXO clock., and opticalModule (5V/1A), AudioQuest Niagara 1000 power conditioner, ASI LiveLine loom (purchased directly from Franck Tchang when I lived in France), Less Loss Firewall for Speakers and Roon lifetime license with Tidal streaming.
