30-Jun-2014, 19:15
Interesting. Clearly SAM lowers the cut off point of the speaker in the bass with the only way it could, increasing cone movement below the acoustic cutoff point.
I wonder how loud something with a tiny unit (like the LS50) can go with bass correction like that before they have to start rolling off the effect to avoid damage?
Ought to bring my LS 50s downstairs, do a SAM config and try them I suppose.
I wonder how loud something with a tiny unit (like the LS50) can go with bass correction like that before they have to start rolling off the effect to avoid damage?
Ought to bring my LS 50s downstairs, do a SAM config and try them I suppose.
Devialet Original d'Atelier 44 Core, Job Pre/225, Goldmund PH2, Goldmund Reference/T3f /Ortofon A90, Goldmund Mimesis 36+ & Chord Blu, iMac/Air, Lynx Theta, Tune Audio Anima, Goldmund Epilog 1&2, REL Studio. Dialog, Silver Phantoms, Branch stands, copper cables (mainly).
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