06-Dec-2016, 00:26
One difference between being there live and recording is that when you're there you can see the positions of the musicians. I'm sure recording engineers can go a bit too far with their separation to make up for the lack of visual input.
As for Woodstock; Since the Pro is too much of an open window to the source (being the music or the player) for you, that practically means that the original 250 possibly was the ultimate amplifier for your system, your room, your ears. It's a shame you did the upgrade and aren't happy with it but on the other hand, if it gets better and you do end up being happy with it, at least you know there's no more improvement to make for you and you can rest easy and enjoy the music for the rest of your life. Awesome!
As for Woodstock; Since the Pro is too much of an open window to the source (being the music or the player) for you, that practically means that the original 250 possibly was the ultimate amplifier for your system, your room, your ears. It's a shame you did the upgrade and aren't happy with it but on the other hand, if it gets better and you do end up being happy with it, at least you know there's no more improvement to make for you and you can rest easy and enjoy the music for the rest of your life. Awesome!
Lifetime Roon, Mac mini, int. SSD, ext. HDD, tv as monitor, key board and track pad on bean bag as remote,Devialet 200, Od'A #097, Blue jeans speaker cable,
Dynaudio C1 MkII.
Jim Smith's GBS.
Northern NSW Australia.
Dynaudio C1 MkII.
Jim Smith's GBS.
Northern NSW Australia.
