26-Nov-2014, 08:14
(This post was last modified: 26-Nov-2014, 08:16 by mikehughescq.)
Sorry, maybe lost in translation there.
I just meant how do you think the 120 and Superfly work together? How do the Superfly sound I.e what are the significant elements of the sound? I have the first pair of Superfly in the UK and I've found them to love going loud; be less good at low volumes but they can do dynamics and detail as good as anything I've ever heard. In fact the dynamic and micro dynamics can be breathtaking. They also very much reflect what's going upstream so if anything is wrong they let you know about it. I suspect they'll work really well with a D-Premier or 120 but I'm wondering what is gained or lost by dialling down the power AND I'm wondering why Ferenc af Penna prefers them with the Omen Defs?
I'm looking for a detailed description of the sound although I suspect what you'll really be describing is your source. Let's give it a go anyway. I hope that clarifies it.
I just meant how do you think the 120 and Superfly work together? How do the Superfly sound I.e what are the significant elements of the sound? I have the first pair of Superfly in the UK and I've found them to love going loud; be less good at low volumes but they can do dynamics and detail as good as anything I've ever heard. In fact the dynamic and micro dynamics can be breathtaking. They also very much reflect what's going upstream so if anything is wrong they let you know about it. I suspect they'll work really well with a D-Premier or 120 but I'm wondering what is gained or lost by dialling down the power AND I'm wondering why Ferenc af Penna prefers them with the Omen Defs?
I'm looking for a detailed description of the sound although I suspect what you'll really be describing is your source. Let's give it a go anyway. I hope that clarifies it.
