27-Nov-2016, 12:09
Some of you could possibly prefer other releases of the Saint-Saens and the Lalo, because of the tapes which were not really well preserved but on the other hand, you won't find them in 24bit. For all other works, I sincerely think we did a far better job than any others and actually, the best possible nowadays. Phoenix Mastering is a 4 steps process. The digital mastering is the final step. I can't tell much but others since I don't know how they work. But I truly think the results are incomparable with the job we're doing. Even on the final step, we're the only one who can treat the whiffs and crackles without any damages to the sound spectrum. To love artefacts is another question...
The Lost Recordings & Fondamenta Music Labels
Devialet 1000 Pro, Focal Stella, Riffaud Saturn Turntable, Lyra Atlas, Ortofon Synergy, Miyajima Zero, Whest Audio Reference V Phono Preamp, Absolue Creations Tim-Reference Cables,
Devialet 220, Focal Diablo Evo, Absolue Creations Ul-tim cables
Phantom Gold + White tree
Phantom Reactor 900
Devialet 1000 Pro, Focal Stella, Riffaud Saturn Turntable, Lyra Atlas, Ortofon Synergy, Miyajima Zero, Whest Audio Reference V Phono Preamp, Absolue Creations Tim-Reference Cables,
Devialet 220, Focal Diablo Evo, Absolue Creations Ul-tim cables
Phantom Gold + White tree
Phantom Reactor 900
