16-May-2015, 15:22
Well I started well before there was a stock crystal cable, a second D-Premier left you on your own to choose a cable. I use a phono to AES/EBU microphone cable which was used by my dealer to demonstrate the dual mono.
I have also used a Vandamme 75 ohm cable whilst using the extra inputs on the slave once I updated to two 250s (set up as one 800 just now), I have gone back to the older cable since the stereo depth I had with the two D_Premiers was better than with the 800, but it hasn't fixed that actual problem. the 75 ohm cable isn't long enough to do a comparison with the position my amps where they are now.
My aural memory isn't long enough to be absolutely sure of any sound differences but my silver Phantoms have at least as good stereo depth as the dual D-Premiers had with my Goldmund Epilog 1 & 2s, and much better than the Devialet 800.
I have also used a Vandamme 75 ohm cable whilst using the extra inputs on the slave once I updated to two 250s (set up as one 800 just now), I have gone back to the older cable since the stereo depth I had with the two D_Premiers was better than with the 800, but it hasn't fixed that actual problem. the 75 ohm cable isn't long enough to do a comparison with the position my amps where they are now.
My aural memory isn't long enough to be absolutely sure of any sound differences but my silver Phantoms have at least as good stereo depth as the dual D-Premiers had with my Goldmund Epilog 1 & 2s, and much better than the Devialet 800.
Devialet Original d'Atelier 44 Core, Job Pre/225, Goldmund PH2, Goldmund Reference/T3f /Ortofon A90, Goldmund Mimesis 36+ & Chord Blu, iMac/Air, Lynx Theta, Tune Audio Anima, Goldmund Epilog 1&2, REL Studio. Dialog, Silver Phantoms, Branch stands, copper cables (mainly).
Oxfordshire
