10-Mar-2020, 16:29
Paul may be biased, but I feel the same way especially his comments about mid range.
I find the bass quite astounding, and the sales guys seem to know to use the wow factor when demoing. I remember one sales used the track "Partition" from Bryonce's self title album. It dived so low made my tunny flutter.
But when I tried real music, it sounded thin and lifeless. e.g. Glenn Gould's 1982 Goldberg Variations sounded nothing like a real piano.
I think overall it is good for modern bassy pop music. Or may be movies with lots of explosion. But it would never come close to my main system with real music.
I find the bass quite astounding, and the sales guys seem to know to use the wow factor when demoing. I remember one sales used the track "Partition" from Bryonce's self title album. It dived so low made my tunny flutter.
But when I tried real music, it sounded thin and lifeless. e.g. Glenn Gould's 1982 Goldberg Variations sounded nothing like a real piano.
I think overall it is good for modern bassy pop music. Or may be movies with lots of explosion. But it would never come close to my main system with real music.
Kondo Overture PM-2i, Weiss DAC502, LP12 Haben, Aro, Keel, Radikal, Urika, EMT JSD6, Phasemation PP-300/T-300, Linn Krystal, Penaudio Serenade Signature
Kondo Operia SPs 2.7, KSL-VzII, Acz-Avocado, etc.
Kondo Operia SPs 2.7, KSL-VzII, Acz-Avocado, etc.
