They have the lack of dynamic compression only horns can have. They have a slightly laid back frequency response, not forward at all but still very dynamic.
They don't go as deep in the bass as the Epilogs (but not much does)
I am listening to them as I type.
I don't often use the Epilogs at the moment but they have something special with piano (we have a Steinway Model B in the music room) which I have only heard elsewhere with the Lyngdorf Steinway model D system, which has a small hot spot but is amazing (but expensive).
http://www.steinwaylyngdorf.com/products...-d-speaker
They don't go as deep in the bass as the Epilogs (but not much does)
I am listening to them as I type.
I don't often use the Epilogs at the moment but they have something special with piano (we have a Steinway Model B in the music room) which I have only heard elsewhere with the Lyngdorf Steinway model D system, which has a small hot spot but is amazing (but expensive).
http://www.steinwaylyngdorf.com/products...-d-speaker
Devialet Original d'Atelier 44 Core, Job Pre/225, Goldmund PH2, Goldmund Reference/T3f /Ortofon A90, Goldmund Mimesis 36+ & Chord Blu, iMac/Air, Lynx Theta, Tune Audio Anima, Goldmund Epilog 1&2, REL Studio. Dialog, Silver Phantoms, Branch stands, copper cables (mainly).
Oxfordshire
