10-Jul-2014, 18:53
Thanks for the replies.
The reason I asked is that I'm thinking of adding two subs, for two reasons. First, to provide the LF acoustic cues that are missing in my system. It's not a question of digging for more musical information: there isn't much under 80Hz anyway. It's more about ambience, especially for well recorded classical music.
The other reason is that, as Frank writes above, multiple subs, if optimally positioned, are a good way to cancel out bass peaks and nulls, indeed arguably the best way.
My speakers consist of a panel that goes down to 340Hz, and an active sub that does everything below that. I was thinking of setting the Dev's high-pass filter at 80Hz and running the new subs from the pre-outs. This seems like the approved method on the Martin Logan users forum, and it conforms to what people here are doing.
Matt
The reason I asked is that I'm thinking of adding two subs, for two reasons. First, to provide the LF acoustic cues that are missing in my system. It's not a question of digging for more musical information: there isn't much under 80Hz anyway. It's more about ambience, especially for well recorded classical music.
The other reason is that, as Frank writes above, multiple subs, if optimally positioned, are a good way to cancel out bass peaks and nulls, indeed arguably the best way.
My speakers consist of a panel that goes down to 340Hz, and an active sub that does everything below that. I was thinking of setting the Dev's high-pass filter at 80Hz and running the new subs from the pre-outs. This seems like the approved method on the Martin Logan users forum, and it conforms to what people here are doing.
Matt
Sonos Connect (W4S) > DSpeaker Antimode 2.0 > Sanders Magtech > Martin Logan Montis
Sonos Connect (W4S) > Devialet 200 > Vivid V1.5
Silver Phantoms (just the two)
London
London
