09-Apr-2016, 16:07
I thought I would share this post from a French Devialet enthusiast, who recently switched from a D800 to a D900.
This gentleman is remarkable in the sense that he is so found of music and capable with his hands and understanding of music that he has developed multiple versions of loudspeakers, and published the drawings of these loudspeakers for others to do it themselves.
https://translate.google.com/translate?s...t=&act=url
My point is to underline his focus on correcting the tone curve of the speakers in the high range :
"1) the enclosure is optimized to work with the Devialet source Mac iTunes-Wave-AIR, and if possible PS Audio P10 on the sector. His answer does not try to be linear measurements (in an anechoic chamber), but to make them credible stamps by setting already mentioned in these pages, that is to say down between 1000 and 10000 Hz regularly to about 6 Db, only means a very transparent system and set not to appear "overdefined disembodied" "
I tried this idea with the Amethyst and this results in the following target curve. I have to admit that the results are very good, in the sense that they are less 'shiny' and more realistic.
Can certainly be reproduced with other room correction systems.
![[Image: 705615TargetCurveJalucine.png]](http://img15.hostingpics.net/pics/705615TargetCurveJalucine.png)
This gentleman is remarkable in the sense that he is so found of music and capable with his hands and understanding of music that he has developed multiple versions of loudspeakers, and published the drawings of these loudspeakers for others to do it themselves.
https://translate.google.com/translate?s...t=&act=url
My point is to underline his focus on correcting the tone curve of the speakers in the high range :
"1) the enclosure is optimized to work with the Devialet source Mac iTunes-Wave-AIR, and if possible PS Audio P10 on the sector. His answer does not try to be linear measurements (in an anechoic chamber), but to make them credible stamps by setting already mentioned in these pages, that is to say down between 1000 and 10000 Hz regularly to about 6 Db, only means a very transparent system and set not to appear "overdefined disembodied" "
I tried this idea with the Amethyst and this results in the following target curve. I have to admit that the results are very good, in the sense that they are less 'shiny' and more realistic.
Can certainly be reproduced with other room correction systems.
