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New Yorker article on audiophilia
#7
(14-Jan-2018, 17:52)GuillaumeB Wrote:
(14-Jan-2018, 17:02)Jean-Marie Wrote:
(14-Jan-2018, 14:15)Teliaved Wrote: The glassbox seems to me as an effective ways of increasing the number of sales points where people can learn about Devialet existence and about the Phantoms. The real test should be at home during the 45 days trial period

Fully agreed! This or at a dealer that sets them up properly. 

Jean-Marie

Of course this is the ideal scenario.

However for some the first impressions of the Phantom will be disappointing due to the source material often being played and the poor acoustic environment they are displayed in. I have heard countless examples of the Phantoms being driven to ear splitting volumes, the emphasis seems to be on shock and awe (bass and volume) rather than music. In fact I can name a few incidents myself.

I wonder what proportion of Phantoms are sold by dealers. Aren't many now sold direct and/or through retailers such as the Apple Store? I wonder how many people have their phantoms set up less than optimally. Have Devialet actually produced a guide to in room placement for the Phantoms?

Guillaume
I have no idea. 
I suspect that the bass heavy and high volume type of demo is geared towards an other type of client than us. I’m sure that if walk in to listen to phantoms we will come with our own music and will also take control of the volume. (For instance, for my personal test, one of the best demonstration of a pair of Gold is using the first movement of the 6th symphony for pipe Organ from Charles-Marie Widor and certainly not what they use normally, but I can also understand that it is not to everyone’s taste Angel )

Jean-Marie
MacBook Air M2 -> RAAT/Air -> WiFi -> PLC -> Ethernet -> Devialet 220pro with Core Infinity (upgraded from 120) -> AperturA Armonia
France
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RE: New Yorker article on audiophilia - by Jean-Marie - 14-Jan-2018, 18:09

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